Third Anniversary of 100 Poets Against The War

It was on February 24, 2003, that Salt (Cambridge, UK) published the printed version of Nthposition's oft-imitated, never-bettered "100 Poets Against The War" series of electronic anthologies - making it the fastest ever poetry book, in terms of conception, to writing, to editing, to publishing (less than a month). It was described as "the 21st century's most controversial and talked about e-book".

Val Stevenson's www.nthposition.com pioneered the use of the Internet for copy-left publishing, and political activism, and the whole world took notice, with The Times reporting 250,000 downloads of our e-books in 3 weeks alone. The Guardian described it as "a remarkable anthology" and The Times said it was "a new lease of life for protest poetry".

The books are still available for download at Nthposition, or at www.amazon.com from Salt.

Three years later, the illegal war's consequences are still being felt, and Tony Blair's spin doctor, Alistair Campbell, has admitted, in an essay for AOL, that he and Blair are computer-illiterate neanderthals who had never used email or the Internet at that time. No wonder the Labour government so tragically missed the message.

But how did they miss the millions marching in the streets?

Comments

CLIVE WILMER'S THOM GUNN SELECTED POEMS IS A MUST-READ

THAT HANDSOME MAN A PERSONAL BRIEF REVIEW BY TODD SWIFT I could lie and claim Larkin, Yeats , or Dylan Thomas most excited me as a young poet, or even Pound or FT Prince - but the truth be told, it was Thom Gunn I first and most loved when I was young. Precisely, I fell in love with his first two collections, written under a formalist, Elizabethan ( Fulke Greville mainly), Yvor Winters triad of influences - uniquely fused with an interest in homerotica, pop culture ( Brando, Elvis , motorcycles). His best poem 'On The Move' is oddly presented here without the quote that began it usually - Man, you gotta go - which I loved. Gunn was - and remains - so thrilling, to me at least, because so odd. His elegance, poise, and intelligence is all about display, about surface - but the surface of a panther, who ripples with strength beneath the skin. With Gunn, you dressed to have sex. Or so I thought. Because I was queer (I maintain the right to lay claim to that

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and Silence of the Lambs . I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

E Y E W E A R, THE BLOG - FREEDOM MEANS BEING UNAFRAID TO WRITE WHAT YOU THINK

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